Vulture takes an interesting look at what could be some pros and cons to Gary Ross leaving the Hunger Games franchise.
First, the pros:
Does this mean less shakycam? Ross certainly brought a novel visual approach to this nascent franchise, eschewing carefully composed shots for a jittery, handheld feel. That said, would anyonebe mad if the new Catching Fire director found a tripod? Our commenters were in full revolt against Ross’s shakycam, complaining, “I haven’t left a movie feeling this sick since The Blair Witch Project,” and ”That camera literally made me ill … If the second movie is like that, we won’t be going.” Which brings us to our next point …
The next director may be better at shooting action. Ross has a background in scripting populist films like Dave and Pleasantville, and the best moments in The Hunger Games are the ones that come before the titular games begin, when Ross can simply put Jennifer Lawrence in a room opposite someone else and have her effectively sell the movie’s emotional stakes with that resolute stare. Unfortunately, when Katniss is finally forced to play the Games, Ross has no particular flair for shooting them. His protagonist’s usual strategy is to climb the nearest tree to avoid her competitors, but since Ross stubbornly refuses to give us wide shots, he’s got no way to convey even a simple establishing detail like how high up she’s climbed. The other action beats fare no better: The camera is so agitated that we can barely even tell what’s going on, let alone where each character is in relation to one another. If Lionsgate could somehow land a new director who’s talented at conveying space in an action sequence — Robert Zemeckis would be our dream choice, and he’s available — we might actually look forward to the Games, instead of dreading them like Katniss does.
And now, the cons:
They just pissed off the actors. Ross was beloved by series stars Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, and Elizabeth Banks, and by replacing him just a few weeks after The Hunger Games opened, they’ve destabilized a cast that was previously eager to reteam with Ross. While his visual sense was divisive, Ross did a great job with casting the franchise, and he directed Lawrence to give an already iconic performance. Will the actors be as capable in the hands of a hastily hired replacement, and might they resent the studio for it? (Certainly, we don’t need this crew to start acting as surly on their publicity tours as the cast of theTwilight franchise, which never had a single steward to keep them humble.)
There’s very little time to find a new director. One of the reasons Ross gave for bailing on Catching Fire is that he simply wouldn’t have enough time to prep the movie, since it needs to shoot this fall so that Jennifer Lawrence can begin filming the sequel to X-Men: First Class in January. If Ross was worried about the brief preproduction window for a movie this massive, how much time will his replacement have? The studio will start interviewing directors immediately and should have an announcement soon, but valuable time will have been spent on the search, and it’ll take even longer to get a replacement up to speed. Ross would have likely retained his department heads from the last movie, but will the new director demand a different cinematographer or production designer? If so, it’ll take a while to get all those important ducks in a row, and there’s no time to waste.
Read the entire Pro / Con list HERE